Monthly Archive: December Sout
A notorious murder case is one of the subjects of the ROM’s collection of mid-nineteenth century Kalighat paintings, an urban folk art style that developed around a popular Kali temple in Kolkata, India. Written by Piali Roy.
In Indian painting, nature is a space of possibilities—where spiritual retreats, leisure activities, romantic encounters, and tests of skill take place. Written by Deepali Dewan.
Combining aesthetic beauty and history, this work cleverly and poetically combine references from historical Sri Lankan decorative art alongside meanings that resonate with issues of inequality, injustice, and the exploitation of natural resources during Sri Lanka’s colonial past. Written by Deepali Dewan.
If family albums are understood as social artifacts, rather than simply images, perhaps their vulnerability towards dehistoricization and aestheticization can be overcome. Written by Aliya Mazari.
On the one hand, it is an example of delicate Victorian jewelry. On the other, it is a reminder of a past when the conservation of wildlife species was far from the minds of people. Written by Deepali Dewan.
Pesh Kabz, means ‘fore grip’ in Persian, a language from Iran where this style of dagger finds its origins. Written by Aruna Panday
On May 23, 2015, in conjunction with the exhibition “Generations: Annu Palakunnathu Matthew,” artist Annu Palakunnathu Matthew set up studio in the ROM galleries to take complimentary family photographs of ROM visitors.
Arti Chandaria, long-time ROM friend, volunteer, and supporter passed away on Friday January 23, 2015. She lived each day with vigor and enthusiasm, never letting cancer impede her from a life of discovery. As a daughter, sister, wife, mother, and friend, she inspired with her passion, determination and boundless curiosity. Arti taught us that life is measured not by the number of breaths we take but by the moments that take our breath away. Written by Deepali Dewan
About a hundred year ago, mass produced colour lithographs proliferated across the South Asian subcontinent creating new imaginary communities through a shared visual imagery. In this new kind of visual culture, hero images seemed to flip traditional gender roles by being dominated by warrior females and pacifist males. Written by Deepali Dewan
The blades, like the tiger claws they are named for, are made to slash though an opponent and, in modern history, is most often associated with the Hindu Marati warrior Shivaji. Written by Aruna Panday