Monthly Archive: December Cana
My second object from Newfoundland and Labrador is a contemporary piece by silversmith Michael Massie. It is a teapot, mimicking the shape of an ulu knife, with etched designs on the silver body of the pot. The handle is made of bloodwood. Massie is a contemporary Canadian artist who was born in Happy Valley-Goose Bay, Labrador, in 1962. He currently lives on the island portion of the province with his family.
I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational structure. More deeply, Newfoundland and Labrador was one of the last provinces to join Confederation with Canada in 1949. The vote was contentious and the margin of victory was slim. It’s less likely now, but it once would have been possible to find older residents of the island who considered themselves Newfoundlanders first, Canadians second (if Canadian at all).
Hi! I'm Heather Read, the Rebanks Postdoctoral Fellow in Canadian Decorative Arts. In honour of Canada’s 150th anniversary of Confederation, I’ll be writing a blog series this year highlighting interesting objects from the Canadian Decorative Arts Collection at the Royal Ontario Museum. With this series, I’ll be talking about some of the furniture, pottery, and glass that are currently on exhibition at the ROM, but I’ll also give you a peek behind the scenes into the parts of this collection that aren’t currently on display.
On June 21st, the ROM Learning Department began National Aboriginal Day celebrations with a cleansing ceremony using Sweet Grass to start the day off in a good, positive way led by Justin Chiblow, Kiowa Wind Memorial Indigenous Youth Intern.
For over a decade, the ROM has steadily acquired the work of contemporary Canadian artists who are part of the South Asian diaspora. Such collecting is important not only to provide points of context and contrast with ROM’s historical South Asian collections, but also to preserve the complexities and fullness of contemporary artistic production.
It’s that time of year where many of us are pretty focused on the holidays. Spending time with family and friends, baking and eating loads of treats, and - let’s be honest - the gifts. Finding them, buying them, wrapping them, and getting them to where they need to go, whether the destination is under the Christmas tree, or to be mailed to relatives somewhere else around the world.
So, given that everybody’s in this present-logistics state of mind, we have a gift-wrapping question for you… how do you ship a blue whale heart?
Guest Blog written by 2015 Environmental Visual Communication student Jeff Dickie
With an excavation recently completed this summer, the mystery of the Franklin Expedition continues... still elusive in her watery grave, what secrets will HMS Erebus finally give up about her ill-fated mission?
Today’s blog post is a glimpse of a tale that is largely untold. It is the story of the exploration of the Canadian Arctic, as seen by Adam White in his botanical scrapbooks. These scrapbooks were donated to the University of Toronto, and came to the ROM together with what is now the ROM’s Green Plant Herbarium. What do these scrapbooks have to do with Franklin, the HMS Erebus and the HMS Terror? It’s a fantastic story!
A year after a storm toppled the famous "Maple Leaf Forever Tree" in Leslieville, Toronto-based artisan and Eco-woodturner Michael Finkelstein wanted to help preserve this beautiful, 150-year old silver maple tree for future generations to enjoy through his artwork.
Sikhs in Canada, The Singh Twins, watersolour on board, England, 2010, 44 x 32.5 cm. ROM 2010.53.1 This acquisition was made possible with the generous support of the Louise Hawley Stone Charitable Trust Fund. Copyright The Singh Twins: www.singhtwins.co.uk