Monthly Archive: December Behi
Behind-the-Scenes at the Royal Ontario Museum's Pompeii in the Shadow of the Volcano exhibit.
A dusty old model of the House of the Tragic Poet in Pompeii is carefully deconstructed in order to craft a new touchable interactive version to be installed in the Pompeii exhibit.
Behind-the-scenes highlights from a year of exhibit planning at the Royal Ontario Museum, Toronto
We are in the midst of installation for our Pompeii, In the Shadow of the Volcano exhibit, opening June 13, 2015. Here's a quick glimpse of behind-the-scenes on the exhibition floor today (June 4th).
“That egg is approximately one hundred and forty-four years old,” says Brad Millen, a technician who works in the ROM’s Natural History collections. Suddenly the large speckled shell that sits in the palm of my hand feels just a little bit heavier. I feel the weight of its place in the world - it is the egg of a passenger pigeon, and its species has been extinct for a hundred years.
Come behind-the-scenes with environmental visual communication students/guest bloggers Justine DiCesare and Vincent Luk to take a look using photos and video to see how the flowers and scenery were created for the new exhibit: Empty Skies: The Passenger Pigeon Legacy.
The ROM's latest special exhibit, Empty Skies: The Legacy of the Passenger Pigeon swoops in this Saturday, August 23. Get an exclusive first glimpse at the behind-the-scenes of the exhibit being installed!
Earlier this summer, a group of Torontonian researchers and PhD students were granted rare access to the ROM’s green roof, “Liza’s Garden” to survey the biodiversity, take soil samples, and to look for changes in the vegetation profile.
This spotlight post--featuring ROM paper conservation intern Natasa Krsmanovic--highlights her background, shares her perspective on current paper conservation practices, and discusses her treatment projects at the museum.
This spotlight post--featuring ROM conservation intern Emily Ricketts--highlights her background, shares her perspective on current artefact conservation practices, and discusses her treatment projects at the museum.