October 2016
Monthly Archive: October 2016
Not just for show: how and why museum specimens are collected
Guest blog by Environmental Visual Communication student Samantha Stephens
The sign on the door seemed quite appropriate. “Abandon all hope ye who enter here.” I imagine that, as this quote from Dante’s Inferno indicates, this might be what hell feels like. As this last barrier swings open and the dim room is revealed, the swarm of hundreds of tiny creatures moving across the concrete floor completes that vision. However, for some of the ROM’s tireless workers, this environment is heaven. Here resides the dermestid beetle colony. These ravenous beetles are eagerly seeking their next meal. Manoeuvring themselves into the crevices of skeletons, they strip the flesh from delicate specimens with more precision and speed than the nimblest of human fingers.
#ThrowbackThursday: A Very Hot Evening
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
Artists of the Floating World, Part I
Written by Josiah Ariyama
Supervised by Dr. Asato Ikeda
A Third Gender: Beautiful Youths in Japanese Prints, exhibited at the ROM from May until November, 2016 offers but a glimpse into the lives of Wakashu, or “young companions” living in Edo period Japan (1603-1868). The exhibition not only features a plethora of great woodblock prints, but exacerbates the viewer’s imaginary journey into this time through the use of film, screens, and sartorial artefacts such as armour, kimono and hair ornaments.
#ThrowbackThursday: Working Like Mad
In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering research and collecting by the ROM curatorial powerhouse duo ‘Burnham and Burnham’, aka Dorothy K. Burnham and Harold B. Burnham.
Remembering Ancient Pottery Traditions
This summer Wyandot artists Richard Zane Smith and Catherine Tammaro visited the Royal Ontario Museum’s New World Archaeology collections. The purpose of their visit was to study a small sample of the ROM’s Wendat pottery collections in order to gain information on ancestral Wendat and Tionontati ceramic techniques.
