Monthly Archive: December Sout
Popular imagery of India is often full of bright colours that create vibrant landscapes. Taking a closer look it becomes clear that not only are India’s many forms of street art a huge source of these aesthetics, but also that they are changing. Canadian filmmaker Cyrus Sundar Singh, enchanted with the hand-painted billboards apparent on the Indian streetscape since he was a child, has made a documentary looking at where these billboards come from and what is happening to them.
For a long time, bioscopes have been a part of India’s bustling landscape, an aspect of childhood that came and went as bioscopewallahs travelled through the country. Bioscopes are an early movie projector taking the form of a wooden box, the interior of which has pictures that can be viewed through four circular holes. Bioscopewallahs are the people who would make their living by them, setting up temporarily and offering them as entertainment to children.
Fun fact about the TIFF Bell Lightbox: its Artistic Director started out as a box-office volunteer. As a teenager, Noah Cowan volunteered for the relatively young “Festival of Festivals”, now the Toronto International Film Festival. Since those humble beginnings, he has started Midnight Madness, founded the Global Film Initiative, curated major retrospectives on Indian and Japanese cinema, started a production company, been a film critic, Co-Directed TIFF and became Artistic Director of TIFF Bell Lightbox- but not exactly in that order.