Monthly Archive: May 2016
Named in 2013 by David C. Evans (Royal Ontario Muserum) and Michael J. Ryan (Cleveland Museum of Natural History), the Acrotholus audeti is one of five dinosaurs featured in Canada Post's new "Dinos of Canada" stamp series.
Blog by Environmental Visual Communication alumnus / Ontario BioBlitz Communications Assistant Fatima Ali
The second of four blogs in our Ontario BioBlitz: Behind the Blitz series introduces us to Saskia, a ten-year-old natural history enthusiast who was a participant in the Guided Blitz at the 2015 Don Watershed Ontario BioBlitz event. Watch a video about her experience as she follows ROM mammalogist Burton Lim into the woods with her group to capture and identify some bats!
By Ana Galindo
Since the opening of the ¡Viva México! exhibition at the ROM in May 2015, we have been generously treated to a myriad of events related to the show—visiting artists, talks and Friday Night Live events. Most recently, the museum hosted a magnificent symposium introducing attendees to the ideas and work of various academics and experts on the visual culture of Mexico.
Blog by Nadine Leone, ROM Hands-on Biodiversity Gallery Assistant Coordinator
The first of four blogs in our Ontario BioBlitz: Behind the Blitz series is an interview with three young ROM scientists, who share their favourite highlights from last year's event in the Don Watershed.
Tattoos: Ritual. Identity. Obsession. Art is an exhibition in the Royal Ontario Museum (ROM) coming from Museé du quai Branly, Paris. It explores 5000 years of tattoo tradition around the world. The traditional and contemporary tattoos of Japan are featured prominently in their own section of the exhibition. This article introduces several tattoo images, some of which are not covered in the exhibition.
For over a decade, the ROM has steadily acquired the work of contemporary Canadian artists who are part of the South Asian diaspora. Such collecting is important not only to provide points of context and contrast with ROM’s historical South Asian collections, but also to preserve the complexities and fullness of contemporary artistic production.