Monthly Archive: December ROM
Guest Blog written by Environmental Visual Communication students Aisha Parkhill-Goyette and Jeff Dickie
Imagine you are deep in the jungle of Sri Lanka. You find yourself blinded by the pouring rain, knee deep in a rushing river, desperately trying not to fall in. Lightning strikes only meters away, but instead you are worried about the small tickle by your left elbow, and you are hoping that it is not one of the dozens of land leeches that keep falling onto you from the trees above. Not everyone has what it takes to be a wildlife photographer. It takes a special kind of dedication and a special kind of person - someone who is just as wild as the creatures they are trying to capture on camera.
EVC Students Jeff and Aisha interviewed a pair of up-and-coming wildlife photographers who travelled with ROM mammalogist Burton Lim to Sri Lanka last fall, to share some stories about what it's like behind the camera.
ROM curator of reptiles and amphibians, Dr. Bob Murphy and a team of international scientists use leading edge genetic techniques and dangerous fieldwork activities to describe a new species of tortoise in Mexico and shine light on the conservation status of other rare and threatened tortoises from the region
It’s that time of year where many of us are pretty focused on the holidays. Spending time with family and friends, baking and eating loads of treats, and - let’s be honest - the gifts. Finding them, buying them, wrapping them, and getting them to where they need to go, whether the destination is under the Christmas tree, or to be mailed to relatives somewhere else around the world.
So, given that everybody’s in this present-logistics state of mind, we have a gift-wrapping question for you… how do you ship a blue whale heart?
ROM Biodiversity (@ROMBiodiversity) was in the fields and forests of Sri Lanka for an intense four weeks between Aug 23 - Sept 19, 2015, completing the first comprehensive survey of bats and other small mammals that live on the island in close to 80 years.
ROM Biodiversity (@ROMBiodiversity) is in the fields and forests of Sri Lanka for an intense four weeks doing the first comprehensive survey of bats and other small mammals in close to 80 years. Follow the South Asian adventure on social media with #ROMSriLanka, and join Burton Lim and the Team LIVE from the field on September 10 at noon: https://www.rom.on.ca/en/activities-programs/events-calendar/hangout-with-our-rom-biodiversity-team-in-sri-lanka
Guest blog written by #ROMSriLanka Communication team member Deirdre Leowinata
The ROM’s own Assistant Curator of Mammalogy, Burton Lim, along with his ROM Biodiversity team, are traversing the planet’s surface to reach the small and mysterious country of Sri Lanka between August and September for one purpose and one purpose only… to study the island's small mammals.
Since 2004 I had walked the Qalamoun mountains around the monastery of Deir Mar Musa looking for archaeological features to record. In all that time I found one lithic, a stone tool from humanity’s prehistoric past. My colleagues back home that specialised in these objects would say that I just didn’t know what I was looking for. In the last days of the 2009 season, what turned out to be my last season at the monastery, I thought I would reconnoitre the southern part of the field area.
She’s been languishing in the Greek & Roman storerooms for years, but finally the ROM Minoan Goddess is back on display.
The third in a series on the monastery of St Moses in Syria comprises a detailed examination of the important cycle of 11th-12th century frescoes found in the chapel.
Despite there being almost 1,400 years of occupation at Deir Mar Musa, strangely the overwhelming majority of the pottery found at the site can be assigned to the "Mamluk" period. The period of Mamluk rule in Greater Syria (1260-1516) generally reflects an archaeological horizon that post-dates the destruction of the great ceramic production centre at al-Raqqa, and Eastern Syria became a wasteland on the border with the Mongol Ilkhanate dynasty of Iran, leaving Damascus as the sole producer of elite quality under-glaze painted stone-paste bodied ceramics.
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