Monthly Archive: December Deep
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The photos on view in The Family Camera exhibit are selected from over 10,000 images that have been collected by The Family Camera Network as part of a public archive project.
For over a decade, the ROM has steadily acquired the work of contemporary Canadian artists who are part of the South Asian diaspora. Such collecting is important not only to provide points of context and contrast with ROM’s historical South Asian collections, but also to preserve the complexities and fullness of contemporary artistic production.
Pesh Kabz daggar with sheath. Steel, jade, stone, water buffalo horn, fabric. 19th century India. 948.1.256a-b. The Collection of the First Lord Kitchener. Currently part of the South Asian Study Collection in the ROM’s Education Department.
Written by Aruna Panday, Ph.D Candidate York University, Co-Chair Friends of South Asia, Department of World Cultures Intern.
During the recent Hero-themed Friday Night Live at the ROM, I brought out examples of popular prints from the collection that explored different hero tropes in South Asian culture. Here are some of them. About a hundred year ago, mass produced colour lithographs proliferated across the South Asian subcontinent creating new imaginary communities through a shared visual imagery. In this new kind of visual culture, hero images seemed to flip traditional gender roles by being dominated by warrior females and pacifist males.
Written by Aruna Panday, Ph.D Candidate York University, Co-Chair Friends of South Asia Committee, and ROM curatorial intern.
Bagh nakh (tiger-claw weapon), lacquered steel, India, 19th century, ROM 913.10.28
Sophia Chowdhury (far right) with her sister Meena (second in from left) and the next generation: Aneesa (far left), Zakary (centre), and baby Anarah. In the ROM’s curatorial area with the dagger, August, 14 2014. Photo Deepali Dewan, posted with permission of the family.