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Royal Ontario Museum Michael Lee-Chin Crystal. Bloor Street Entrance.
Veronika Gervers Fellow

ROM’s Fashion and Textiles Section

Of Africa
Project

Of Africa

Of Africa is a multiplatform and multiyear project aimed at rethinking historical and contemporary representations of Africa.
Front cover of the book Anyang and Sanxingdui.
Book

Anyang and Sanxingdui: Unveiling the Mysteries of Ancient Chinese Civilizations

This study by the Bishop White Curator of Far Eastern Art, Chen Shen, presents the newest research and discoveries at Anyang and Sanxingdui. He conveys as well the romance of archaeology, the human
Photo of ROM staff at Indian Chintz workshop.
Project

“Indian Chintz” Workshop

Project

Roman and Islamic Textiles from the Egyptian Site of Quseir al-Qadim

Project

The Consumption, Social Function and Style of Couture in Toronto, 1945-1965

Project

Textiles in the Social History of Colonial New England

Project

European Textile Printing, 1680-1780

Project

The Second-Hand Clothes Trade in 18th-century England

Project

The Production of Glamour: The Social History of Lingerie, 1909-1959

Project

Popular Culture of Rural China: Twentieth-Century Blue and White Folk Embroideries of Yunnan and Sichuan

Project

Institutional, Social and Economical Aspects of the Production of Tiraz Textiles in the Mediterranean from Early Islamic Times up to the Crusades

Project

A Survey of Ryukyuan/Okinawa Textiles in North American Collections

Project

The Cultural Assumptions and Ideological Implications that Guided the Uses of Colour and Colour Theory in the mid-19th Century

Tunic fragment. Coptic. Egypt. Late Antique - Early Byzantine. 5th-6th century. All-wool weft-faced compound tabby with tapestry inserts. 968.323.1.
Project

Delineation of Coptic Weaving Characteristics