The Provincial Government of Newfoundland and Labrador and the Royal Ontario Museum (ROM), in association with Research Casting International, are pleased to announce the completion of the first phase

An up-close look at ROM's new Connection Stations, which were designed to encourage self-reflection, understanding, and exchange via Museum objects.

MEDIA ADVISORY Biologists from the Royal Ontario Museum (ROM) and the Ministry of Natural Resources and Forestry will descend on a newly acquired 2500-acre piece of land on the North Shore of Lake

Dr. John Creese, Isabel and Gino Vettoretto Curator of North American Archaeology

In September, 1971, the ROM opened the landmark exhibition Keep Me Warm One Night, a kaleidoscopic display of over 500 pieces of Canadian handweaving. It was the culmination of decades of pioneering

The ROM and UWO appeal to public to help find fragments The Royal Ontario Museum (ROM) and The University of Western Ontario (UWO) are looking for help from local residents who witnessed, or who may

I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational

Researchers from the Royal Ontario Museum (ROM) and University of Toronto, and the University of Cambridge have confirmed that a 505 million-year-old creature, found only in the Burgess Shale fossil

Sophia Chowdhury (far right) with her sister Meena (second in from left) and the next generation: Aneesa (far left), Zakary (centre), and baby Anarah. In the ROM’s curatorial area with the dagger

In December 2020, as we were finalizing the design and interpretation of the exhibition Elias Sime: Tightrope, I had a virtual meeting with artist Elias Sime and his curator and long-time collaborator

Collections Technician 1, Vertebrate Palaeontology

The ROM recently acquired a painting by Japanese-Canadian artist Norman Kiyomitsu Takeuchi. Interior Revisited (2012–2017) was part of the ROM-original exhibition Being Japanese Canadian: reflections

Written by Lisa Golombek, Curator Emeritus (Islamic Art) In 17th century Iran, unlike earlier times, painters often signed their works. These were individual pages, collected by the connoisseur and