Talks
Remaking Tradition: Reviving Kavalan Weaving in Modern Taiwan

Taiwan, blue building

Date

Saturday, Jun 13, 2026 13:00 - 14:00

Location

Level B1,
Eaton Theatre

Admission

Free
Registration Coming Soon!

Audience

Adults

About

Registration Coming Soon!

To learn how historic collections at ROM support contemporary Indigenous artists in Taiwan, we welcome members of the Xinshe Tribe (pateRungan) Banana Silk Weaving Group for a talk on the importance of community access to objects at the Museum. 

We begin the program, led by Wen-chien Cheng and Sarah Fee, with an  introduction to the collection of Indigenous textiles from Taiwan held at ROM, followed by a conversation with the visiting artists Lin Shuli 林淑麗, Pan Nianxin 潘念欣, and Xie Shuyue 偕淑月 about their project, and the two Indigenous filmmakers who are documenting their travels to Canada. We’ll learn more about why the Mackay Collection at ROM has been integral to their work in recovering the history and techniques of these specialized weaving traditions, and the importance these collection objects hold for the practitioners who are reviving traditional knowledge lost through decades of modernization and colonialization in Taiwan.

About the Project:

ROM stewards a rare collection of 19th century garments of the Kavalan Indigenous peoples of Taiwan, including a one-of-a-kind bridal ensemble. They were collected by, and gifted to, the Reverend George Leslie MacKay, who worked as a missionary and doctor in Taiwan from 1872. In generations prior to and after MacKay’s residence, Taiwan’s indigenous groups were violently severed from their cultural traditions by state resettlement and assimilation programs. Cultural identity, language, and craft were erased. From the 1990s, however, groups have worked to recover and reclaim these traditions. In 2005, members of the Xinshe tribe(pateRungan) in Fengbin Township, Hualien County formed the "LalaBan Xinshe Banana Silk Workshop" to recover the weaving of local banana-stem fibres. The group has successfully revived and reinvigorated these weaving traditions. Their current study of the Mackay Collection at ROM will guide future projects for future generations.

This event is presented by the Veronika Gervers Research Fellowship. The Research Fellowship is supported by a memorial fund established in 1979 to commemorate the noted ROM curator and textile scholar, Veronika Gervers, and to promote scholarly research that incorporates the textile and costume collections at ROM. 

Speakers

Headshot of Wen-Chien Cheng
Wen-chien Cheng

Dr. Wen-chien Cheng is ROM’s Louise Hawley Stone Chair of East Asian Art, and is cross-appointed with the Department of Fine Arts and East Asia Studies at the University of Toronto.​​With a specialty in Chinese painting, she has held postdoctoral fellowships at the J. Paul Getty Foundation and the Smithsonian Institution. Curatorial work, research, and teaching have been the three major parts of her academic training and experience.

Dr. Sarah Fee

Portrait of Sarah Fee
Dr. Sarah Fee

Dr. Sarah Fee is responsible for the museum’s renowned collection of approximately 15,000 textiles and fashion that come from greater Asia and Africa, as well as eastern Europe.

Sarah's fascination with textile making and dress first grew during four years of doctoral field research in southern Madagascar, where she learned to spin, dye and weave. In addition to Madagascar, her multi-disciplinary research focuses on the textile and dress traditions of the wider western Indian Ocean world, which embraces southern Arabia, eastern Africa and western India. She has edited and written for numerous books, journals and catalogues, including Objects as Envoys: the Textile Arts of Madagascar (2002), Textile Trades, Cultures of Cloth, and Material Worlds of the Indian Ocean (2018), The Translocal Textile Trades of Eastern Africa, a special volume of Textile History (2017), and Cloth that Changed the World: The Art and Fashion of Indian Chintz (2020).