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Project

European Textile Printing, 1680-1780

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The Second-Hand Clothes Trade in 18th-century England

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The Production of Glamour: The Social History of Lingerie, 1909-1959

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Popular Culture of Rural China: Twentieth-Century Blue and White Folk Embroideries of Yunnan and Sichuan

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Institutional, Social and Economical Aspects of the Production of Tiraz Textiles in the Mediterranean from Early Islamic Times up to the Crusades

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A Survey of Ryukyuan/Okinawa Textiles in North American Collections

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The Cultural Assumptions and Ideological Implications that Guided the Uses of Colour and Colour Theory in the mid-19th Century

Tunic fragment. Coptic. Egypt. Late Antique - Early Byzantine. 5th-6th century. All-wool weft-faced compound tabby with tapestry inserts. 968.323.1.
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Delineation of Coptic Weaving Characteristics

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In Search of Foreign Embroidery: Men’s 18th c. Embroidered costume

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The Weaving of History Among the Akwete Igbo of Nigeria

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Fashion Victims: London Macaronis and Paris Petits-Maîtres, c. 1760-80

Man's uncut imperial coat (chao fu). China. Ming Dynasty. early 17th century. Solid ciselé silk velvet embroidered in silk and gold. 956.67.2 Gift of Louise Hawley Stone.
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Development of Chinese Velvets: Chinese Velvet Design, Use, and Weave Structure

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18th- and Early 19th-century Printed Textiles

Portrait of Queen Victoria. Embroidered by Agnes Pringle Wallace, based on a painting by Mary Ann 'Mclean' Pringle. St. Thomas, Ontario, Canada. 1841. Satin embroidered in silk and wool. 963.14.2.A. Gift of Mr. Andrew H. Wallace.
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The Public and the Private Face of Fashionable Domestic Embroidery in 19th Century Canada

Le Jardinier furnishing textile. Philippe de Lasalle (French textile designer, manufacturer, 1723 - 1805). Lyon, France. early 1770s. Silk lampas with separately-woven brocaded satin insert. 959.7.1.
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Paris Fashions, Made in Lyons: Designers’ Role in the 18th Century French Silk Industry