The ROM publishes and co-publishes a wide variety of books relating to the Museum, its collections and research. Subject areas include Canadian heritage, world art and archaeology, natural history, palaeobiology, and earth science. ROM books are distributed by University of Toronto Press, except where otherwise noted, and are available in bookstores, online and in the ROM Boutique.
Textiles are an essential part of Mexico’s enduring legacy. Over the course of four millennia, many cultures have flourished. The Maya, the Aztec and other major civilizations developed distinctive forms of adornment and dress. The Spanish Conquest of 1521 brought European garment styles, raw materials, skills and design motifs. Contemporary textiles owe their range and vitality to this fusion of traditions. Ceaselessly evolving, Mexican textiles combine prodigious technical prowess with exquisite artistry. This publication tells the fascinating story of Mexican textiles. From sarapes and rebozos to splendid examples of beadwork, constructed from, minuscule imported glass beads, the author covers the evolution of male and female dress, and the vast range of techniques used by spinners, dyers, weavers and embroiderers. Chloë Sayer offers a scholarly yet readable introduction to the important field of cultural textiles. This landmark reference work appeals to the many audiences passionate about Mexican history and culture, textiles, and design in general.
A detailed guide highlighting nearly 40 showpieces from the ROM's exhibition Pompeii: In the Shadow of the Volcano. Accompanied by stunning photography and unique contextual images, this guidebook covers of one of the greatest archaeological discoveries of our time. From ordinary household items to extraordinary pieces of art, the book highlights the life of the people of Pompeii, real people, not unlike us. Readers are able to view stunning sculptures rooted in Greek mythology, gladiator equipment that tell the tales of bloody combat, and even a mosaic dog that would have guarded the entrance to a household. From viewing a society in its prime, readers are taken to the moment disaster struck where on display is food that was about to be eaten—bread, figs, and olives well past their best-before date. The disaster becomes all the more real with the heartbreaking casts of the people unable to escape—men, women, children, and even a dog.
Pompeii and its fate are explored through sections that examine the chronology of the disaster as well as its devastating toll and aftermath.
Canadian artist Paul Kane lived in a century when foreign cultures were expanding across North America. Native cultures were encouraged to adopt different world views and alter the way they made a living. Kane—aware that aboriginal cultures were changing—set out to produce a visual record of Native peoples and the land they inhabited before such a record was no longer possible. From 1845 to 1848, Kane journeyed extensively across Canada, taking graphite, watercolour, and oil-on-paper sketches of the peoples he met and their cultural practices.
As Kane worked on the final art, in some cases certain details were changed and compositions altered. With “Near Infrared Reflectography” technique we can “see” Kane struggling with the oil-on-canvas compositions in his studio. The First Brush: Paul Kane and Infrared Reflectography delves into comparisons between painted versions of the same scene and reveals the initial painting and the copy. Beneath the surface of the finished painting lie his initial renderings, his first drawings, and painted efforts that expose his original intentions for the painting. Were they true to the sketch? Did he wrestle with a desire to present in grand fashion, but then resist the temptation?
This book is a unique insight into Paul Kane’s thinking and artistic processes between the years 1849 and 1856 as he painted in his Toronto studio. It explores the issue of truthfulness in Kane’s art and his struggle for composition. Additionally, these comparisons expose Kane’s response to external pressures, as well as his steadfastness to a realized vision.
This is the very first field guide on the butterflies of Ontario. It highlights the diversity of life by featuring a staggering 167 species of butterflies known to occur in Ontario. The ROM Field Guide to Butterflies of Ontario includes descriptive species accounts, flight season phenograms, and striking field photography of adults and caterpillars. Using range maps based on hundreds of thousands of historical records, and what we believe to be a first for a field guide: computer-modelled predictive distributions, this book illuminates the complete life history of these butterflies. The field guide’s easy-to-access approach, comprehensive coverage, and beautiful design make it an essential guide for both amateur naturalists and professional lepidopterists.
For the past 100 years, the Royal Ontario Museum has gathered precious objects from around the world to connect its visitors to all corners of the globe. To celebrate our centennial, 21 Canadian writers, artists, scientists—including an astronaut—share their personal connections with 21 extraordinary objects from the Museum’s collections.
Read Joseph Boyden’s observations around the Blackfoot robe and Deepa Mehta’s childhood memories of trying to dance inspired by Shiva Nataraja’s “Dance of Bliss.” Look at the meteorite that Chris Hadfield suggests is an actual glimpse into Jules Verne’s Journey to the Centre of the Earth. The book captures moments, thoughts, stories—humorous, nostalgic and oftentimes deeply personal.
The ROM in partnership with The Walrus Foundation, brings you an anthology of Canada’s finest writing. Combining curatorial expertise and unexpected, intimate perspectives, this writing is accompanied by stunning contemporary photography and striking documentary shots, emphasizing the individual experience with these natural and cultural masterpieces.
Destined to be one of the most important books published in Canada, this coffee table volume includes the complete ROM collection of 100 oil paintings and 373 sketches, the world's largest Paul Kane collection. Kane's evocative sketches and paintings of Native peoples, customs, and artifacts, have become a treasured part of Canada's heritage.
Written to a general-interest audience, On the High Road explores the 4,000-year history of the village of Godin Tepe, on the fabled Silk Road, situated at an intersection of cultures. The authors weave a narrative of the remarkable history of this site in western Iran while explaining how archaeological remains are used to reconstruct the past.
Join us on a visual journey through the world of Bollywood Cinema, as we trace the aesthetic and thematic evolution of a film industry that has captivated audiences around the world, becoming the world's largest film producer. The ROM's vintage Bollywood Cinema showcards feature Bollywood icons and award-winning films spanning 40 years of the film industry. Bollywood Cinema Showcards features 90 artifacts from the Bollywood industry, embodying the fanciful and fantastical style of India's cinema culture that has a growing fascination in the West, and a deep cultural tradition in the East.
Burton & Isabelle Pipistrelle is an imaginative children's book telling the nocturnal adventure of a small Pipistrelle bat named Burton, and his sister Isabelle. The book follows Burton as he ventures out of the Bat Cave and discovers the galleries of the museum. Burton loses his way in all the excitement and has to rely on his superpower-echolocation-to help him get home.
The art of painted photographs arose out of a need for 19th-century artists to compete with commercial photography. The ROM has the largest representation of Indian painted photographs in North America. Embellished Reality features 50 works never before exhibited. Unlike the West, where photography replaced painting as an accurate reflection of "reality," in India, photographs were used to enhance the function of paintings, which were seen as a reflection of a higher realm of existence, or "hyper-reality."