Monthly Archive: December
Our time at the Triceratops site came to an end on Friday, June 27. As we rushed to get the last jackets out of the quarry and close down the site for the year, a menacing storm was rolling in, but we made it out just in time (Figure 1). With the back of our pick-up truck filled with plaster jackets (Figure 2), we headed back to the Royal Ontario Museum.
This spotlight post--featuring ROM conservation intern Emily Ricketts--highlights her background, shares her perspective on current artefact conservation practices, and discusses her treatment projects at the museum.
The monastery at Deir Mar Musa would not have just comprised the main buildings, the monks would actually have been dispersed in hermitages across the landscape.
Women have grown, groomed and decorated their fingernails for over 5000 years – From the women of Ancient Egypt to the nail salon industry that flourished during the 80s and 90s, nail trends have had authority over beauty regimes across regions and eras. By the late 20th century manicured fingernails would become a sign of the leisure class among many different cultures. Grooming your fingernails parallels the act of using cosmetics, it exhibits self-expression and character.
Have you ever wondered how museums collect their treasured artefacts? You probably know that many objects are generously donated to such cultural centres. But do you know the story or the provenance (the record of origin and history of ownership) behind these objects? The ROM is full of interesting acquisition stories—many of which can be found in the Curatorial departments and the Library & Archives. This is just one…
The third in a series on the monastery of St Moses in Syria comprises a detailed examination of the important cycle of 11th-12th century frescoes found in the chapel.
On Friday June 27th, I manned the Botanical Battlestation in the Schad Gallery for a Friday Night Live feast of strange, symbolic and sexual plant specimens.
Despite there being almost 1,400 years of occupation at Deir Mar Musa, strangely the overwhelming majority of the pottery found at the site can be assigned to the "Mamluk" period. The period of Mamluk rule in Greater Syria (1260-1516) generally reflects an archaeological horizon that post-dates the destruction of the great ceramic production centre at al-Raqqa, and Eastern Syria became a wasteland on the border with the Mongol Ilkhanate dynasty of Iran, leaving Damascus as the sole producer of elite quality under-glaze painted stone-paste bodied ceramics.