Monthly Archive: December Loca
It can be pretty common in rural parts of Canada to find a pottery studio. Lots of Ontario cottagers have favorite potters that they visit in their cottage community. Many of the Gulf Islands in BC have at least one resident potter. Quebec has a hugely successful pottery show that draws in artists from across the province, 1001 Pots, which highlights the rural potter’s lifestyle. It is so common that it’s hard to believe that there were, at one time, pioneers of that way of life.
My second object from Newfoundland and Labrador is a contemporary piece by silversmith Michael Massie. It is a teapot, mimicking the shape of an ulu knife, with etched designs on the silver body of the pot. The handle is made of bloodwood. Massie is a contemporary Canadian artist who was born in Happy Valley-Goose Bay, Labrador, in 1962. He currently lives on the island portion of the province with his family.
I’m starting my Canada 150 blogging project in Newfoundland and Labrador. Why? To start, it is the province that lies geographically furthest east, and moving east to west is an easy organizational structure. More deeply, Newfoundland and Labrador was one of the last provinces to join Confederation with Canada in 1949. The vote was contentious and the margin of victory was slim. It’s less likely now, but it once would have been possible to find older residents of the island who considered themselves Newfoundlanders first, Canadians second (if Canadian at all).
Hi! I'm Heather Read, the Rebanks Postdoctoral Fellow in Canadian Decorative Arts. In honour of Canada’s 150th anniversary of Confederation, I’ll be writing a blog series this year highlighting interesting objects from the Canadian Decorative Arts Collection at the Royal Ontario Museum. With this series, I’ll be talking about some of the furniture, pottery, and glass that are currently on exhibition at the ROM, but I’ll also give you a peek behind the scenes into the parts of this collection that aren’t currently on display.
Guest blog by Environmental Visual Communication student Rhi More
Bringing more attention to trees is what the Royal Ontario Museum had in mind when its botanists and Creative Department partnered with the City of Toronto Urban Forester’s Office to create Trees for Toronto in 2004. EVC Student Rhi More decided to check out this ‘urban arboretum’ for herself, and share the findings with our readers.
The City of Toronto was officially incorporated in 1834 and the second half of the 19th century was a period of great growth in the city. The population grew through railway and steamer links, which facilitated the arrival of immigrants at the port or the new Union Station building. The harbour was a key asset for trade and expansion, and was steadily under development.