As a Centennial project (Canada's 100th) Toronto school children raise funds for a protoceratops specimen. Publicity for this project is typical of the new ways of community building.
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
Charles Trick Currelly is appointed a collector for the University of Toronto at $500/year salary. He is working on excavations in Egypt and when back in Toronto, he arranges to display some of the material collected so that the people he is cultivating will be infected with enthusiasm and write...
We liked this scene so much that we commissioned a poster
A Royal Commission on the Future of the University recommends establishing a university museum. Sir Edmund Walker has had a concept in mind for at least 20 years. “Every year’s delay is a misfortune, not only to the education of the students.... but to the education and material welfare of the...
Following the opening of ROM's doors on March 19, 1914, 17 million visitors have walked through the galleries. In a decade, attendance has grown by 6 million visitors.
This is one of my favourite images. We don't have a date or a name. To me, it conveys perfectly the connection with objects that we can foster.
This is ROMA, one of two rescue cats who were responsible for rodent control during the 60s. The Museum photographer posed her in the studio. Gladys Wong, a cleaner, brought them from Woodbine Racetrack and fed them as part of her job. They hung out next to the security officers' room in the...
Winifred (Friedl) Needler joined the staff of the Royal Ontario Museum in 1935 as a draughtsman-cataloguer. She took a year's leave to study Egyptian and Near Eastern archaeology, along with Middle Egyptian (hieroglyphics) at Yale, which study she continued upon return to the ROM under the...
Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.