Dan Rahimi revisits the exhibition, reflects on the major changes it brought about, and explains what the ROM is doing this year to balance the scales. The full catalogue is accessible from this site (see the story "Into the Heart of Africa".)
The ROM purchases several artifacts that had been found in what is now Thunder Bay. They were "found" again in Beardmore and caused much speculation about Norse penetration into North America. Today, you can see the sword with other armour on display. The story is well told at...
The exhibition opens in November with good attendance at the public programs. Early in the next year, protests begin and escalate. ROM changes the process by which exhibitions are proposed and approved. Full text of the catalogue may be found at...
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
Lindsay Sharp is appointed. He comes to the ROM from museum experiences in England and in Australia. His title ( a first) is President and CEO. Here he talks about how he was hired.
Jim Cruise tells about some ups and downs. The Queen's visit was a peak experience. In the Georgian Canada exhibition, which artifact did she like the best?
The launch of what has become a popular annual fundraising event. Curators enjoy lying and attendees are fascinated by the challenges they are given. The proceeds from the first one go to support the web site.which has been launched without extra funding.
William Thorsell is appointed President and CEO. Soon follows the announcement of the most ambitious renovation yet. The Master Plan costing $200 million is called Renaissance ROM. Here he talks about his arrival at the ROM.
Two of the ROM's unions were on strike for 6 weeks.
William Thorsell muses on the aims of the new project for renewal.