Jim Cruise tells about some ups and downs. The Queen's visit was a peak experience. In the Georgian Canada exhibition, which artifact did she like the best?
If I were to write a book about the ROM I'd name it "Something Different Every Time."
February 1, 2008
I remember performing at the ROM's Canada Court in Feb, 2008. It was a world music concert where I was accomapnying the sitar maestro, Irshad Khan, and his fusion ensemble on keyboards/synthesizers. Other instruments included: sitar, spanish guitar and tabla. We had such a diverse audience...
Charles Trick Currelly is appointed a collector for the University of Toronto at $500/year salary. He is working on excavations in Egypt and when back in Toronto, he arranges to display some of the material collected so that the people he is cultivating will be infected with enthusiasm and write...
The Planetarium closes with layoffs. There is a public outcry, but attendance has been falling and the equipment is 25 years old. The Director speaks about it as a "low point".
As a summer project, Vanessa Minke-Martin created a six minute history of the ichthyology collections at the ROM. It features interviews and field trip footage. Watching it will give you a fine idea of how the research carried out by curatorial departments animates the programs of the ROM.
Currelly moves into basement even before the roof is completed and begins to unpack material he has collected in Europe and Egypt.
Some years ago, I was taking part in a ROM programme called (I think) My Favourite Object. Members of the curatorial staff brought their favourite object to what was the Chinese sculpture Atrium and placed it on a table for members of the public to look at and inquire as to why it was a favourite...
Two of the ROM's unions were on strike for 6 weeks.
In response to the question in ROM Magazine’s Winter 2013/2014 issue (page 14) regarding whether anyone took Peter C. Swann’s advice to preserve their copies of the bulletin: Yes, I did. I have a bound set of Rotunda, with issues from 1968 to 1980. As the artist who designed the magazine, I not...