The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
Louise Hawley Stone leaves a $45 million trust fund to support the purchase of artifacts and specimens and to support museum publications.
In the opinion of Dan Rahimi, the ROM as an institution has evolved. He uses the example of a new book to illustrate what the future can bring.
This assorted group came from many departments but the at the core were fast-learning librarians and library technicians. No one's job description mentioned the web: it was a volunteer effort. The ROM was a very early adaptor among museums. From the vantage point of twenty years later, it...
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
Our front desk staff are both welcoming and long-serving. Estrella Trojman recalls that once some Argentinian visitors came up to her. “Our friends in Argentina told us to go to the ROM when we were in Toronto and ask for Estrella, who speaks Spanish”.
Victor Dodig, now CEO of the CIBC (but Senior Executive Vice-President when this video was made), recalls his very first visit to the ROM. He explains what the relationship has meant to him over the years, and celebrates ROM's continuing connection to its bank.
Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.
I've always considered the Royal Ontario Museum a "home away from home". When I was very young in the 1930's, my uncle, Eric McDougall, who was an assistant in the "stuffed animal" (as I knew it then) gallery on the third floor, would bring me there each year to watch...
The founders of this new initiative had in mind exhibits of photography, but the mandate evolved. Shows were mounted once a year. One early show depicted and analysed teenage tribes. Over the years, the mission has grown to encompass innovative exhibits and public events tackling living societies...