Victor Dodig, now CEO of the CIBC (but Senior Executive Vice-President when this video was made), recalls his very first visit to the ROM. He explains what the relationship has meant to him over the years, and celebrates ROM's continuing connection to its bank.
Janet Carding describes what next year can mean to the role of the ROM in Toronto.
The Planetarium closes with layoffs. There is a public outcry, but attendance has been falling and the equipment is 25 years old. The Director speaks about it as a "low point".
Winifred (Friedl) Needler joined the staff of the Royal Ontario Museum in 1935 as a draughtsman-cataloguer. She took a year's leave to study Egyptian and Near Eastern archaeology, along with Middle Egyptian (hieroglyphics) at Yale, which study she continued upon return to the ROM under the...
Our front desk staff are both welcoming and long-serving. Estrella Trojman recalls that once some Argentinian visitors came up to her. “Our friends in Argentina told us to go to the ROM when we were in Toronto and ask for Estrella, who speaks Spanish”.
I used to work as a volunteer in the ROM's Hands On Biodiversity Gallery in the early 2000s. I always loved coming to the Gallery and seeing the honey bees busily working away in their hive. I also greatly enjoyed working with the artifacts in the Gallery and educating visitors about nature...
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
If you've ever wondered about how galleries and exhibitions are put together, you can listen to a seasoned professional explain....
Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.
Louise Hawley Stone leaves a $45 million trust fund to support the purchase of artifacts and specimens and to support museum publications.