At the groundbreaking for the crystal, Hilary Weston and Michael Lee Chin get to drive the shovel.
In July 1977, the ROM’s Discovery Room opened and was billed as a “mini-museum for the blind.” It was called the first gallery of its kind in Canada, a learning environment that emphasized hands-on engagement with original objects and specimens. Visitors crossing the threshold of the gallery...
When I was a girl in Grade School, my parents allowed me to take the bus and streetcar, by myself, down to the Museum every Sunday afternoon. I guess the world seemed a safer place in those days. My first visit had been with my Brownie troop, little girls marching up and down the grand stairway,...
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
Staff, volunteers, workers, and the architect sign the last steel beam to be put in place.
It was on a solo visit to the Royal Ontario Museum as a high school student. I had been there on a class visit in public school, but by now I had become fascinated by the world of insects, their diversity, their evolution. So I had a specific interest. I was standing in the vast old,...
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
Janet Carding describes what next year can mean to the role of the ROM in Toronto.
Our front desk staff are both welcoming and long-serving. Estrella Trojman recalls that once some Argentinian visitors came up to her. “Our friends in Argentina told us to go to the ROM when we were in Toronto and ask for Estrella, who speaks Spanish”.
Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.