William Thorsell talks about some surprises that contributed to the costs of Renaissance ROM.
This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
If you've ever wondered about how galleries and exhibitions are put together, you can listen to a seasoned professional explain....
Robert Barnett relates his varied career path, starting in childhood.
Jim Cruise tells about some ups and downs. The Queen's visit was a peak experience. In the Georgian Canada exhibition, which artifact did she like the best?
Janet Carding reflects on issues specific to the ROM, especially space and growth.
Here is one of the tents with the opening title displayed.
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
Victor Dodig, Senior Executive Vice-President, CIBC, recalls his very first visit to the ROM. He explains what the relationship has meant to him over the years, and celebrates ROM's continuing connection to its bank.