William Thorsell talks about some surprises that contributed to the costs of Renaissance ROM.
Janet Carding reflects on issues specific to the ROM, especially space and growth.
Dan Rahimi revisits the exhibition, reflects on the major changes it brought about, and explains what the ROM is doing this year to balance the scales. The full catalogue is accessible from this site (see the story "Into the Heart of Africa".)
Janet Carding describes what next year can mean to the role of the ROM in Toronto.
The ROM commissioned a Dior dress for the exhibition "BIG". Here is how it is received upon arrival.
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
Dan Rahimi explains one important way in which the ROM guards its reputation.
As a summer project, Vanessa Minke-Martin created a six minute history of the ichthyology collections at the ROM. It features interviews and field trip footage. Watching it will give you a fine idea of how the research carried out by curatorial departments animates the programs of the ROM.
William Thorsell credits the people and the climate that made the project possible for the ROM and for Toronto.
Robert Barnett relates his varied career path, starting in childhood.