Janet Carding reflects on issues specific to the ROM, especially space and growth.
Here is one of the tents with the opening title displayed.
William Thorsell credits the people and the climate that made the project possible for the ROM and for Toronto.
Dan Rahimi explains one important way in which the ROM guards its reputation.
If you've ever wondered about how galleries and exhibitions are put together, you can listen to a seasoned professional explain....
In the opinion of Dan Rahimi, the ROM as an institution has evolved. He uses the example of a new book to illustrate what the future can bring.
William Thorsell talks about some surprises that contributed to the costs of Renaissance ROM.
This timelapse video shows how fast we had to work to construct the barosaurus in time for opening.
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).