Dan Rahimi explains one important way in which the ROM guards its reputation.
Dan Rahimi answers the question "Are there parts of the Museum that speak to you"?
Here is one of the tents with the opening title displayed.
In the opinion of Dan Rahimi, the ROM as an institution has evolved. He uses the example of a new book to illustrate what the future can bring.
This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).
This timelapse video shows how fast we had to work to construct the barosaurus in time for opening.
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
As a summer project, Vanessa Minke-Martin created a six minute history of the ichthyology collections at the ROM. It features interviews and field trip footage. Watching it will give you a fine idea of how the research carried out by curatorial departments animates the programs of the ROM.
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
If you've ever wondered about how galleries and exhibitions are put together, you can listen to a seasoned professional explain....