The ROM commissioned a Dior dress for the exhibition "BIG". Here is how it is received upon arrival.
William Thorsell credits the people and the climate that made the project possible for the ROM and for Toronto.
Dan Rahimi explains one important way in which the ROM guards its reputation.
This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).
Here is one of the tents with the opening title displayed.
William Thorsell talks about some surprises that contributed to the costs of Renaissance ROM.
Robert Barnett, Board Secretary, remembers what Mr. Goodman accomplished during his term as Board Chair.
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
This timelapse takes the project from demolition to opening.