In the opinion of Dan Rahimi, the ROM as an institution has evolved. He uses the example of a new book to illustrate what the future can bring.
ROM's plans to make the galleries and exhibitions accessible are accelerated with help from many people. Christine Karza, Board Member, and Cheryl Blackman, seen in the video, have championed the initiatives.
Ethan tells about a happy visit when he met someone he greatly admired.
Robert Barnett relates his varied career path, starting in childhood.
This timelapse video shows how fast we had to work to construct the barosaurus in time for opening.
The ROM commissioned a Dior dress for the exhibition "BIG". Here is how it is received upon arrival.
William Thorsell muses on the aims of the new project for renewal.
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.
This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).
Dan Rahimi revisits the exhibition, reflects on the major changes it brought about, and explains what the ROM is doing this year to balance the scales. The full catalogue is accessible from this site (see the story "Into the Heart of Africa".)