This is the story of how a new curator, David Evans, found the amazing barosaurus, which we named Gordo (for the curator, Gord Edmund, who had received it in the 60's).
One of Canada's most generous and energetic philanthropists, Hal Jackman ponders the situation for institutions like the ROM.
Ethan tells about a happy visit when he met someone he greatly admired.
If you've ever wondered about how galleries and exhibitions are put together, you can listen to a seasoned professional explain....
Here is one of the tents with the opening title displayed.
Most of our domestic dogs came from Toronto families, but Bungy had a different background. (See also "Curator's Work")
Dan Rahimi explains one important way in which the ROM guards its reputation.
In the opinion of Dan Rahimi, the ROM as an institution has evolved. He uses the example of a new book to illustrate what the future can bring.
Janet Carding describes what next year can mean to the role of the ROM in Toronto.
Daniel Libeskind is announced as the architect for the project, following an international search. He sketches (and submits) his idea on napkins from the ROM's restaurant. William Thorsell talks about the process.