Stories

Mr. Snuffleupagus

by Christine Caroppo

1970s

My friend, artist, and teacher, Margaret Ann [Clark] Fecteau told me this story. It is both funny and tragic, and took place, I think, in the late 1970s. The ROM had at that time a gallery on the archaeological periods of Ontario before European contact. Among the dioramas was one depicting the...

The Consummate Collector from Guyana

by Burton Lim

1970s

About 15 years ago, I got a phone call from the public entrance of the ROM. “Mr. Courtman from Guyana would like to meet somebody from mammalogy,” said the admissions staff at the front desk. I was immediately intrigued by this surprise visitor, if he was who I thought he was. David Courtman...

A "ReCollection" of the Collections

A "ReCollection" of the Collections

by Marie Hands

1970s

In response to the question in ROM Magazine’s Winter 2013/2014 issue (page 14) regarding whether anyone took Peter C. Swann’s advice to preserve their copies of the bulletin: Yes, I did. I have a bound set of Rotunda, with issues from 1968 to 1980. As the artist who designed the magazine, I not...

Great Influence

Great Influence

by Sherri Molloy

1970s

I am a pagan. I believe in and follow the old gods, most especially the gods of ancient Greece. I believe ALL gods are man-made, from Isis to Zeus to Jesus to Dionysus, but I also believe that we can learn a great deal about the Divine and about Humanity by turning our eyes to the myths and the...

Another Chronometer Bites the Dust

by Peter Fenton

1980s

It was late on a Friday in my first summer here when my coworker and I found ourselves with some spare time on our hands. We stuffed a labcoat and made a fairly lifelike torso. To this we added a pair of stuffed workpants and hung both from a coat rack in the lab, adding a stuffed sample bag for a...

Accessible Galleries: The Discovery Room/Gallery

by Kate Zankowicz

1970s

In July 1977, the ROM’s Discovery Room opened and was billed as a “mini-museum for the blind.” It was called the first gallery of its kind in Canada, a learning environment that emphasized hands-on engagement with original objects and specimens. Visitors crossing the threshold of the gallery...