This is ROMA, one of two rescue cats who were responsible for rodent control during the 60s. The Museum photographer posed her in the studio. Gladys Wong, a cleaner, brought them from Woodbine Racetrack and fed them as part of her job. They hung out next to the security officers' room in the...
Sylvia Hahn, an artist on staff, completed four murals in what was then the Armour Court. Displays of armour were a popular museum feature. Charles Currelly, Director of the ROM of Archaeology, thought that armour was an important resource for teaching about history and craftsmanship. Keeping...
John McNeill is appointed Director. Coming to Toronto from a professorship in botany at the University of Ottawa, he has been the Associate Director, Curatorial.Here he speaks of his mandate.
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
Cuyler Young is appointed Director. He has been a curator, conducting archaeological digs, especially at Godin Tepe.
When I was a girl in Grade School, my parents allowed me to take the bus and streetcar, by myself, down to the Museum every Sunday afternoon. I guess the world seemed a safer place in those days. My first visit had been with my Brownie troop, little girls marching up and down the grand stairway,...
There were many firsts for Dr. Fritz.. She joined the Palaeontology department in 1927, having completed her doctorate (the first woman to receive a PhD in Geology at U of T) under Dr. Parks. She loved teaching and was a prolific writer. She was elected a Fellow of the Royal Society of Canada (the...
Charles Trick Currelly is appointed a collector for the University of Toronto at $500/year salary. He is working on excavations in Egypt and when back in Toronto, he arranges to display some of the material collected so that the people he is cultivating will be infected with enthusiasm and write...
Louise Hawley Stone leaves a $45 million trust fund to support the purchase of artifacts and specimens and to support museum publications.
Staff, volunteers, workers, and the architect sign the last steel beam to be put in place.