Two of the ROM's unions were on strike for 6 weeks.
When I was a girl in Grade School, my parents allowed me to take the bus and streetcar, by myself, down to the Museum every Sunday afternoon. I guess the world seemed a safer place in those days. My first visit had been with my Brownie troop, little girls marching up and down the grand stairway,...
My first experience with the ROM was in the mid 60’s when my brother and I participated in the Saturday Morning Club. What is interesting is I have no recollection of adults being part of our experience. I remember having free rein of the museum galleries and it being simply great. Now .. I...
Currelly moves into basement even before the roof is completed and begins to unpack material he has collected in Europe and Egypt.
Peter Swann is announced as the next Director. In 1966, he tackles the space issue first. The ROM must expand or choke to death.
This assorted group came from many departments but the at the core were fast-learning librarians and library technicians. No one's job description mentioned the web: it was a volunteer effort. The ROM was a very early adaptor among museums. From the vantage point of twenty years later, it...
There were many firsts for Dr. Fritz.. She joined the Palaeontology department in 1927, having completed her doctorate (the first woman to receive a PhD in Geology at U of T) under Dr. Parks. She loved teaching and was a prolific writer. She was elected a Fellow of the Royal Society of Canada (the...
Charles Trick Currelly is appointed a collector for the University of Toronto at $500/year salary. He is working on excavations in Egypt and when back in Toronto, he arranges to display some of the material collected so that the people he is cultivating will be infected with enthusiasm and write...
Sylvia Hahn, an artist on staff, completed four murals in what was then the Armour Court. Displays of armour were a popular museum feature. Charles Currelly, Director of the ROM of Archaeology, thought that armour was an important resource for teaching about history and craftsmanship. Keeping...
Louise Hawley Stone leaves a $45 million trust fund to support the purchase of artifacts and specimens and to support museum publications.