There is just one complete study skeleton of the huge Brown Bear ( Ursus arctos - also known as the Grizzly or Kodiak bear) in the ROM's mammalogy collection. And I remember vividly when it arrived in 1965. I was a summer student in the ROM's Department of Entomology...
The Foundation is established to be responsible for all philanthropic activities in support of the Museum's highest priorities. Nowadays, the office of the ROM Governors is supported by an independent Board which provides leadership in a wide range of activities supporting ROM programs,...
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...
This assorted group came from many departments but the at the core were fast-learning librarians and library technicians. No one's job description mentioned the web: it was a volunteer effort. The ROM was a very early adaptor among museums. From the vantage point of twenty years later, it...
This is ROMA, one of two rescue cats who were responsible for rodent control during the 60s. The Museum photographer posed her in the studio. Gladys Wong, a cleaner, brought them from Woodbine Racetrack and fed them as part of her job. They hung out next to the security officers' room in the...
Louise Hawley Stone donates $2 million to endow a permanent curatorial position, a chair in Far Eastern Art named for her. (In 2013 there are 8 endowed curatorships)
Sylvia Hahn, an artist on staff, completed four murals in what was then the Armour Court. Displays of armour were a popular museum feature. Charles Currelly, Director of the ROM of Archaeology, thought that armour was an important resource for teaching about history and craftsmanship. Keeping...
Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.
At the groundbreaking for the crystal, Hilary Weston and Michael Lee Chin get to drive the shovel.
Staff, volunteers, workers, and the architect sign the last steel beam to be put in place.