Hilary Weston leads the fundraising campaign, which will restore the heritage architecture and build "the crystal". She announces a gift of $30 million from Michael Lee Chin, the largest gift to a museum in Canadian history.
Demolition of the Terrace Galleries requires that the lions move to the Queen's Park frontage, where they may be seen today.
Staff, volunteers, workers, and the architect sign the last steel beam to be put in place.
Classes for school children begin in 1933 and continue today. Lillian Payne, the first teacher, paid for by the Toronto School Board, worked at the ROM for 21 years. Not only did the children come to the ROM- in the 20s, groups from northern Ontario came by train to visit- but also the ROM...
Herman Hertzog Levy leaves $15 million for the purchase of Chinese bronzes, jades, ceramics, and sculpture. He has already donated many marvellous objects from his own collections. One interesting proviso is that the funds must be spent within 5 years, and so the curators he trusted are able to bid...
At the groundbreaking for the crystal, Hilary Weston and Michael Lee Chin get to drive the shovel.
Emily and Kyle met in line with hundreds of others at the architectural opening of the ROM’s crystal June 2nd 2007. The line was long and they stood for 2 hours talking as they waited to see the new ROM. A lot can happen in 2 hours! It was appropriate that almost six years later, June 24th...
Sigmund Samuel, who has been an important donor as well as a collector in his own right, pays for a building to house the fine and decorative art and rare books that he has donated, as well as the provincial archives. This building remains as a second ROM location until very recently and shows up...
This assorted group came from many departments but the at the core were fast-learning librarians and library technicians. No one's job description mentioned the web: it was a volunteer effort. The ROM was a very early adaptor among museums. From the vantage point of twenty years later, it...
The ROM is fortunate that Sir Edmund Walker believed in a museum for Toronto that would be both academic and public. He was able to gather all the stakeholders together so that the initial funding would be 50:50 government and university. As President of the Canadian Bank of Commerce, as well as...