Catalogue

Cloth That Changed the World: The Art and Fashion of Indian Chintz

Sarah Fee

ROM
January 14, 2020
9 x 12
272 pages
Hard Cover
9780300246797
Distributed by Yale University Press

The story of India’s exuberantly colored textiles that made their mark on design, technology, and trade around the world

Chintz, a type of multicolored printed or painted cotton cloth, originated in India yet exerted influence far beyond its home shores: it became a driving force of the spice trade in the East Indies, and it attracted European merchants, who by the 17th century were importing millions of pieces. In the 18th century, Indian chintz became so coveted globally that Europeans attempted to imitate its uniquely vibrant dyes and design—a quest that eventually sparked the mechanical and business innovations that ushered in the Industrial Revolution, with its far-reaching societal impacts.

This beautifully illustrated book tells the fascinating and multidisciplinary stories of the widespread desire for Indian chintz over 1,000 years to its latest resurgence in modern fashion and home design. Based on the renowned Indian chintz collections held at the Royal Ontario Museum, the book showcases the genius of Indian chintz makers and the dazzling variety of works they have created for specialized markets: religious and court banners for India, monumental gilded wall hangings for elite homes in Europe and Thailand, luxury women’s dress for England, sacred hangings for ancestral ceremonies in Indonesia, and today’s runways of Lakme Fashion Week in Mumbai.

Water for the Phalarope: Explorations in Museum Anthropology

Water for the Phalarope: Explorations in Museum Anthropology

Kenneth R. Lister

ROM
2019
8.5 x 11 in.
200 pages
Soft Cover
$19.99
978-0-88854-522-0

This new publication emphasizes the significant role of museums in documenting, preserving, and disseminating knowledge about material culture within its Indigenous contexts. It discusses material culture in the context of cultural patterns, processes, and memory that form the foundation of museum anthropology.

The collection of essays by Kenneth R. Lister highlight the ROM’s anthropology collections. The author’s research examines the collections with cultural and historical contexts. From working with the Cree of northern Ontario on snowshoe construction and imagery, to the Inuit of Baffin Island on gender roles related to the kayak and the kayak’s practical and spiritual manifestations, the essays in this volume address material culture and the role it plays in cultural identity, expression, and belonging.

Le livre Gods in My Home: Chinese Ancestor Portraits and Popular Prints

Wen-chien Cheng et Yanwen Jiang

ROM
2019
9" x 12"
208 pages
Soft Cover
$50.00
978-0-88854-525-1

Ce livre réunit des portraits d’ancêtres et des estampes populaires originaires de Chine et examine les liens inexplorés qui existent entre ces deux genres apparemment distincts dans le contexte du Nouvel An chinois. Ces images témoignent de la vénération qu’ont les Chinois pour ces portraits et gravures et de la croyance voulant qu’ils puissent assurer à la fois le bonheur et la prospérité des lignées familiales. Ce livre renferme un grand éventail de xylographies (gravures), de peintures, de portraits d’ancêtres et de divinités sur papier. Il permet de se familiariser avec les valeurs familiales, les rituels, le pouvoir des images ainsi que les traditions qui unissent la société chinoise. Cet ouvrage explore, sous un angle artistique, le rôle particulier que ces images jouent dans le culte des dieux et des ancêtres dans les foyers chinois de la fin de l’Empire au début de la République.

Ce livre représente la première étude sur les thèmes et liens sous-jacents qui existent entre les portraits d’ancêtres et les estampes populaires. Il vous fera entrevoir la vie domestique, matérielle et spirituelle de société chinoise.

Le livre Zuul: Life of an Armoured Dinosaur

Tête et oeil du dinosaure

Victoria Arbour et David Evans

ROM
2018
9" x 12"
96 pages
Hard Cover
$24.99
978-0-88854-524-4

Il y a 76 millions d’années, une étrange forteresse ambulante (un dinosaure de la famille des ankylosaures) parcourait les forêts marécageuses luxuriantes du Montana. Ce livre raconte la vie de ce dinosaure, sa mort et sa « deuxième vie » en tant que l’un des squelettes fossilisés les plus complets de son genre à avoir été découverts.

Les paléontologues Victoria Arbour et David Evans transporteront les lecteurs dans le temps : des badlands de Havre, au Montana et de la découverte accidentelle de cette toute nouvelle espèce de dinosaure jusqu’à la ville trépidante de Toronto et au Musée royal de l’Ontario, la nouvelle demeure de Zuul.  Nommé Zuul crurivastator en raison de sa ressemblance avec le monstre emblématique du même nom dans le film S.O.S. Fantômes (1984), cet ankylosaure possède une face ratatinée, un corps recouvert des pointes osseuses et une massue caudale menaçante. Le squelette de Zuul a même de la peau préservée sur le dos. Mme Arbour et M. Evans traitent des dernières recherches scientifiques portant sur ce nouveau dinosaure exceptionnel : son identification comme nouvelle espèce, l’évolution de son armure défensive et de sa queue inhabituelle et redoutable, et sa remarquable conservation. 

Le livre Zuul: Life of an Armoured Dinosaur porte un regard pénétrant sur les fascinantes adaptations qui ont permis à Zuul de survivre à l’époque du déclin de l’âge des dinosaures.

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Gods in My Home: Chinese Ancestor Portraits and Popular Prints

Wen-chien Cheng and Yanwen Jiang

ROM
2019
9" x 12"
208 pages
Soft Cover
$50.00
978-0-88854-525-1

Gods in My Home combines ancestral paintings with traditional popular prints and examines the unexplored connection between these two seemingly separate genres in the context of Chinese Lunar New Year. The images reflect a Chinese view of reverence and the belief that portraits and prints were capable of blessing and protecting the prosperity of family lines. Featuring a wide array of prints and paintings, ancestral portraits, and paper gods, the book explores shared family values, ritual concepts, belief in visual powers, and shared traditions. The publication studies the artworks through the lens of their unique status as images used for domestic worship of popular gods and ancestors in regular households during the late imperial and early Republic periods.

This book is the first study that explores the underlying themes and connections between ancestor portraits and popular prints. It provides insights into how these images reflect a view of the domestic, material, and spiritual life of Chinese society.

Zuul: Life of an Armoured Dinosaur

close-up of dinosaur head and eye

Victoria Arbour and David Evans

ROM
2018
9" x 12"
96 pages
Hard Cover
$24.99
978-0-88854-524-4

Seventy-six million years ago, a bizarre walking fortress—an ankylosaurian dinosaur—roamed the lush swampy forests of ancient Montana. This is the story of its life, death, and second life as one of the most complete fossil skeletons of its kind ever found.

Palaeontologists Victoria Arbour and David Evans take readers on a journey from the badlands of Havre, Montana, and the accidental discovery of a brand new species of dinosaur, to the bustling city of Toronto and the dinosaur's new home at the Royal Ontario Museum. Christened Zuul crurivastator after the iconic movie monster of the same name from the 1984 film Ghostbusters, this ankyloaur had a gnarly head, a body covered in bony spikes, and a deadly, sledgehammer-like tail. Zuul's skeleton even preserved intact skin across its back. Arbour and Evans share the latest scientific research on this outstanding new dinosaur: its identification as a new species, the evolution of its defensive armour and unusual weaponized tail, and how it came to be so incredibly preserved.

Zuul: Life of an Armoured Dinosaur is an intimate look at the amazing adaptations that helped Zuul survive in the twilight years of the Age of Dinosaurs.

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Christian Dior: History and Modernity, 1947-1957

Christian Dior: History and Modernity, 1947-1957 book cover

Alexandra Palmer

ROM
2018
9” x 12”
280 pages
Hard Cover
$49.99
978-0-88854-521-3

Arguably the most famous fashion designer of the 20th century, Christian Dior’s feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores in detail what it was about Dior’s dramatic creations—the cuts, textiles and embroideries—that stimulated the entire Paris haute couture industry after the devastation of the Second World War. The book features the Royal Ontario Museum’s collection of Christian Dior couture (1947-1957), and is accompanied by sketches and documentary material from Christian Dior Héritage, along with archival images and striking photographs of the museum garments taken by world-renowned Dior photographer Laziz Hamani. The collection features beautiful designs from daytime to evening wear. The publication breaks new ground as it explains key Dior design signatures, based on the use of innovative and historical dressmaking techniques to explain what made the New Look so successful and why his designs were worn and emulated by woman around the world in the 1950s. Christian Dior presents new information drawn from extensive research wedded with close examination of the designs within this catalogue, making it an essential read for those interested in fashion, art, culture, and history. 

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Art, Honor, and Ridicule: Fante Asafo Flags from Southern Ghana

Art, Honor, and Ridicule book cover

Silvia Forni

Doran H. Ross

ROM
2017
9” x 12”
304 pages
Hard Cover
$49.99
978-0-88854-516-9

This landmark publication explores the stunning textile-based artistic tradition associated with the military companies of the Fante people in Ghana. It accompanies the Royal Ontario Museum’s exhibition asafo flags and examines the cultural, political, social, and aesthetic facets of the textile art produced by a number of Fante workshops in central-southern Ghana for the use of the asafo military companies of the region. Unlike the only other existing book on the topic written by Peter Adler, this book takes a holistic approach to the analysis of the aesthetic components of the asafo performances. The striking visual vocabulary of the flags is in fact closely linked to the architectural, sculptural, poetic, performative and musical expressions of the Fante. This publication is an extraordinary introduction to the world of visual, chromatic, and narrative competition that characterizes the public display of asafo companies.

Africa in the Market: 20th Century Art from the Amrad African Art

Africa in the Market book cover

Silvia Forni

Christopher Steiner

ROM
2016
9” x 12”
194 pages
Hard Cover
$49.99
978-0-88854-506-0

While many publications focus on the aesthetics and symbolism of African art, few explore the historical dynamics and exchanges that have informed the way people in Africa have created, preserved, collected and sold their artworks to local and foreign patrons. The book addresses key issues of market trends, the transformation in taste and aesthetics in relation to changing historical conditions and the role of artisans, traders and collectors in mediating knowledge and value in the international art market. Richly illustrated, Africa in the Market introduces to the public the artwork in the Amrad African Art collection at the Royal Ontario Museum. The objects are framed and interpreted within essays that highlight the significant role that African makers and dealers have played in shaping Western understanding of African art. The book explores the significance of 20th century artistic production as a material component of local traditions and, at the same time, as artifacts circulating in a global market where local specificities are often lost.

Wanderings of an Artist Among The Indians of North America

Book cover Image

Paul Kane

Introduction by Ken Lister

ROM
2016
5.5" x 8.6"
720 pages
Hard Cover
$39.99
978-0-88854-507-7

Canadian artist, Paul Kane (1810–1871), journeyed between Toronto and the Pacific coast in the late 1840s to illustrate the customs of indigenous peoples and “to represent the scenery of an almost unknown country.” The narrative of the artist’s years of travel was published in 1859 and it enjoyed immediate recognition by audiences hungry for information about North America’s Aboriginal peoples.

To Kane’s disappointment though, the book was limited to twenty-one images and fell short of his desire for a fully-illustrated account. Although pleased with the book’s positive reception, for Kane it represented an unfulfilled dream and lead to his longing for a future edition with “a much more extensive series of illustrations.” The Royal Ontario Museum’s edition of Wanderings of an Artist brings together for the first time Kane’s narrative with the complete complement of images he painted to illustrate his story and experiences.

Nearly 156 years later, this edition will realize the artist’s ambition and provide readers with the full and complete illustrated account of Kane’s travels during the final years of the fur-trade period.