Monthly Archive: December
The monastery at Deir Mar Musa would not have just comprised the main buildings, the monks would actually have been dispersed in hermitages across the landscape.
Women have grown, groomed and decorated their fingernails for over 5000 years – From the women of Ancient Egypt to the nail salon industry that flourished during the 80s and 90s, nail trends have had authority over beauty regimes across regions and eras. By the late 20th century manicured fingernails would become a sign of the leisure class among many different cultures. Grooming your fingernails parallels the act of using cosmetics, it exhibits self-expression and character.
Have you ever wondered how museums collect their treasured artefacts? You probably know that many objects are generously donated to such cultural centres. But do you know the story or the provenance (the record of origin and history of ownership) behind these objects? The ROM is full of interesting acquisition stories—many of which can be found in the Curatorial departments and the Library & Archives. This is just one…
The third in a series on the monastery of St Moses in Syria comprises a detailed examination of the important cycle of 11th-12th century frescoes found in the chapel.
On Friday June 27th, I manned the Botanical Battlestation in the Schad Gallery for a Friday Night Live feast of strange, symbolic and sexual plant specimens.
Despite there being almost 1,400 years of occupation at Deir Mar Musa, strangely the overwhelming majority of the pottery found at the site can be assigned to the "Mamluk" period. The period of Mamluk rule in Greater Syria (1260-1516) generally reflects an archaeological horizon that post-dates the destruction of the great ceramic production centre at al-Raqqa, and Eastern Syria became a wasteland on the border with the Mongol Ilkhanate dynasty of Iran, leaving Damascus as the sole producer of elite quality under-glaze painted stone-paste bodied ceramics.
In celebration of Canada Day and Canadian Heritage Week (July 1st - July 7th) this post will relfect on the rich heritage and history embedded within our maple leaf.
Fashion forms culture, history and identity – and likewise fashion can be formed by its function in our daily lives. Our new exhibition, Fashion Follows Form invites Members to think critically about the relationship between function and fashion, in particular it’s inclination to favour form over function.