Monthly Archive: December Exhi
How do curators put together a museum display? Find out in my third installment of this behind-the-scenes tour.
Senior Preparator, Bob Walsh was asked to give a talk on his specialty, exhibit lighting design, by the National Institute of Design in Ahmedabad, India.
Ever wondered what goes in to the display you see in a museum gallery? I’m exploring some behind-the-scenes issues that shape what you see.
This blog post was written by Kara Ma, ROM's Rebanks Intern.
As the newest Rebanks Intern, I am excited to present the latest ROM Library display case, located on the main floor just in front of the Library and Archives. On display is a timeline depicting highlights of the ROM’s extensive work and achievements in the field of archaeology
By Ka Bo Tsang, Assistant Curator, Chinese Paintings & Textiles
This large painting done in a hanging-scroll format is from a royal hand, that of Cixi, the Empress Dowager (1835-1908). Directly or indirectly, this most powerful woman in China in the latter half of the 19th century was in full control of the Qing empire until the very end of her life.
By Ka Bo Tsang, Assistant Curator – Chinese Paintings & Textiles
Most people think of Chinese painting as artwork created by artists using special brushes in combination with ink and colour pigments to give shape to ideas on paper or silk through the adroit manipulation of lines, dots, and spots. While this general impression is true, there are exceptions.
Meet Catherine Forester, the first speaker in our Dinosaur Hunter SpeakerSeries.
If you thought all dinosaur hunters were men, you’d be wrong. Our first palaeontologist in the Dinosaur Hunters Speaker Series, which starts this Sunday September 9, is Dr. Catherine Forster. She has toughed it out in some of the harshest climates and conditions in the world making significant discoveries in China, Madagascar, and South Africa.
It’s one of the most interesting jobs at the ROM – the museum artist. Working in a studio soaked in natural light, Georgia Guenther creates replicas of objects in the collection and other artistic displays you may see inside the galleries. She works closely with curators to ensure her creations are both scientifically accurate and realistic.
We stopped by the studio to ask Georgia a few questions about her role at the ROM.