Monthly Archive: December Coll
By Kenneth R. Lister
Kenneth R. Lister is the Assistant Curator of Anthropology in the Department of World Cultures. Read on for a preview of what he’ll be talking about on February 3, 2012 at the 33rd Annual ROM Research Colloquium.
Want to find out more about the latest research and discoveries happening at the ROM? Mark your calendars for the 33rd annual ROM Research Colloquium coming up on February 3, 2012.
Karin Ruehrdanz, Curator of Islamic Arts in the ROM’s Department of World Cultures tells us a little bit about her upcoming colloquium presentation, Shahnama: The Persian “Book of Kings”
By Justin Jennings, Associate Curator, Department of World Culture.
Every day at the museum is a good day, but when a new object-specimen gets added to the collection, it is a great day. It was a particularly stellar day in Earth Sciences when we were able to acquire this lovely princess cut, 23.24 carat peridot from Myanmar (Burma).
They organized extravagant spectacles, each more lavish than the next. They built imposing monuments, ever larger to outdo their predecessors and rivals. Over centuries, the Maya leaders elevated themselves far above their subjects. Yet in the end, these all-powerful rulers were caught in a trap of their own making.
Join us Thursday, December 1 from 11 am to noon EST as we live blog from the ROM during the launch event for the Burgess Shale Virtual Museum of Canada. This online exhibition is the most current and comprehensive resource for knowledge on one of the world’s most important fossil sites.
Originally published in the Summer 2010 edition of ROM Magazine.
Q. I found this object on a beach in Oman. I think it might be part of a fish skull. If it is, can you tell me what kind of fish it is from?
Mike Silver, Toronto
Well, at least, some serious insight into life on Earth…
Where do we come from? What was the world like long before the dinosaurs?
Written by Stephanie Allen, ROM Registration Coordinator
There is an incredible amount of work that happens behind-the-scenes in preparing for every exhibition. Some of that work is eventually obvious to the visitors such as the design, mounts, graphics and labels but a lot of the work is largely invisible.